Text, Apparatus, History

One of the oddest pieces of Shakespearean commentary written during the past century is an extended dialogue by one William Bliss, published in 1947, which contains on its first page an urbane denunciation of Shakespearean commentators as “the ultimate nadir of human foolishness." If in this regard the book invites description as a self-subverting artifact, in other respects as well it is a thoroughly paradoxical performance. 

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Accommodation and Synecdoche: Calvin's God in King Lear

Accommodation and Synecdoche: Calvin's God in King Lear

I am concerned with synecdoche primarily as a figure of thought through which an individual recapitulates or incorporates the attributes of a higher order of being that, in a sense, encloses him. This figure might be seen as linked in various ways to allegorical figuration, to that form of metonymy which substitutes effect for cause, and to the metaphysical doctrine of correspondence between the microcosm and the macrocosm (a doctrine which, as Kenneth Burke observed, is synecdochic in nature).... Accommodation, the other form of allusive figuration which concerns me, must be approached in a different manner. I have already suggested that it is present in King Lear in a displaced form....

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